This is a rhetorical analysis of female stand-up comics that explores the relationships among humour, gender and power in contemporary culture. Here, Joanne R. Gilbert aims to illuminate the social, constructive and cultural implications of power and gender in popular entertainment.

A rhetorical analysis of female stand-up comics that explores the relationships among humor, gender, and power in contemporary culture. How do contemporary American female comics perform onstage, and what does this performance revel about power relations in our culture as well as the existence of a "female" and, more specifically, "feminist" genre of stand-up comedy? In this long overdue study of women and stand-up comedy, Joanne R. Gilbert explores these questions to better illuminate the social, constructive, and cultural implications of power and gender in popular entertainment. Gilbert's research recognizes the problems that arise from assumptions made about the genres of "female" and "feminist" humor and ultimately suggests that these are part of a larger genre she calls "marginal humor." Performing Marginality provides a historical overview of female stand-ups and offers a taxonomy of comedic postures assumed by contemporary female comics, providing a useful way to categorize this often overlooked genre of performance. Performing Marginality also examines problems in existing studies on the subject, the politics involved with marginal humor, and the role of audience in comic performance. This book develops the notion of "performing marginality" not only as the way female comics perform their gender onstage, but as the means by which all of us construct, contest, and negotiate our gendered, racialized, and otherwise marked identities in everyday life. As a former professional stand-up comic and current scholar of communications and women's studies, Gilbert offers a unique perspective on gender, humor, and power through the lens of contemporary female comic performance.