Was Ezra Pound the first theorist of world literature? Or did he inaugurate a form of comparative literature that could save the discipline from its untimely demise? Would he have welcomed the 2008 financial crisis? What might he say about America´s economic dependence on China? Would he have been appalled at the rise of the "digital humanities," or found it amenable to his own quasi-social scientific views about the role of literature in society? What, if anything, would he find to value in today´s economic and aesthetic discourses? Ezra Pound in the Present collects new essays by prominent scholars of modernist poetics to engage the relevance of Pound's work for our times, testing whether his literature was, as he hoped it would be, "news that stays news."
Pound studies often repeat the command to ´Make it new!´ as a kind of catechism, but this collection actually does it. Avoiding mechanical repetitions of over-familiar truisms, these essays set in motion Pound's conviction that ´we do not know the past in chronological sequence... what we know we know by ripples and spiral eddying out from us and our time.´ Park, Stasi, and their contributors honor Pound by reimagining him for the 21st century.