|
Arved Ashby is Professor of Music at The Ohio State University, where he teaches courses on 19th-, 20th-, and 21st-century music in contexts of cultural history, critical theory, post-Marxist aesthetics, and media and communications. He is editor of Listening to Modernism: Intention, Meaning, and the Compositional Avant-garde (Rochester, 2004) and author of Absolute Music, Mechanical Reproduction (California,
2010) |
