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Elizabeth Schafer is Professor of Drama and Theatre Studies at Royal Holloway, University of London. Her publications include MsDirecting Shakespeare: Women Direct Shakespeare, performance histories of The Taming of the Shrew and Twelfth Night, and a biography of theatre manager, Lilian Baylis. She has edited The City Wit and The Northern Lass for the forthcoming Oxford University Press complete edition of Richard Brome's plays. Recent publications include Theatre & Christianity, and Shakespeare and Eco-Performance History: 'The Merry Wives of Windsor'. David Bullen is a Lecturer in the Department of Drama, Theatre, and Dance at Royal Holloway, University of London, UK where he has taught since 2013. He is a theatre director, writer, and academic, specializing in the histories of feminist theatre making as well as feminist and queer adaptations of canonical texts. He has published work on feminist theatre making and adaptation in theatre and film in a range of internationally reaching journals and edited collections; he is the author of Greek Tragedy as 21st Century British Theatre: Why, What, How. BRIDGET ESCOLME is Senior Lecturer in Drama at Queen Mary, University of London, UK. Farah Karim-Cooper is Head of Higher Education & Research, Shakespeare's Globe and Professor of Shakespeare Studies, King's College London, UK.
. Peter Holland holds the McMeel Family Chair in Shakespeare Studies in the Department of Film, Television and Theatre and is Associate Dean for the Arts at the University of Notre Dame. He was formerly Director of the Shakespeare Institute, Stratford-upon-Avon and is editor of Shakespeare Survey and co-general editor of the Oxford Shakespeare Topics series.
Peter Holland is McMeel Family Chair in Shakespeare Studies at the University of Notre Dame, USA.
Peter Holland is the McMeel Family Chair in Shakespeare Studies and the Associate Dean for the Arts at the University of Notre Dame, USA. |
